Nonfiction Picture Book Challenge: “Voice of Freedom” by Carole Boston Weatherford

fannie-lou-hamer

Each Wednesday in February, I am highlighting great nonfiction picture books about African-Americans. These posts are my way of marking Black History Month and also part of the Nonfiction Picture Book Challenge organized by Alyson Beecher.

I don’t make annual “best of” book lists because I don’t read enough new books to feel comfortable with such sweeping judgments. But if I did make those lists, titles from Carole Boston Weatherford would be on them every year.

Writes nonfiction and fiction, poetry and prose, she is both prolific and talented. And her book topics are usually right in my wheelhouse: telling stories of underappreciated historical figures and important moments of social change.

I previously extolled her picture books “Freedom in Congo Square” and “Leontyne Price: Voice of a Century,” but my favorite (among those I’ve read so far) is a biography of civil rights organizer Fannie Lou Hamer. I bought it immediately after reading a library copy.

Voice of Freedom: Fannie Lou HamerVoice of Freedom: Fannie Lou Hamer by Carole Boston Weatherford
Publisher’s description: A stirring collection of poems and spirituals, accompanied by stunning collage illustrations, recollects the life of Fannie Lou Hamer, a champion of equal voting rights.

“I am sick and tired of being sick and tired.”

Despite fierce prejudice and abuse, even being beaten to within an inch of her life, Fannie Lou Hamer was a champion of civil rights from the 1950s until her death in 1977. Integral to the Freedom Summer of 1964, Ms. Hamer gave a speech at the Democratic National Convention that, despite President Johnson’s interference, aired on national TV news and spurred the nation to support the Freedom Democrats. Featuring luminous mixed-media art both vibrant and full of intricate detail, Singing for Freedom celebrates Fannie Lou Hamer’s life and legacy with an inspiring message of hope, determination, and strength.

My rating: 5 of 5 stars

View all my Goodreads reviews


For fellow writers: you can take master classes with Carole Boston Weatherford this spring in Maryland and North Carolina. I’m signed up for one of her workshops in April.

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Listen up! Here’s a new podcast about diverse children’s books

thecutheaderI listen to podcasts every day, but the past two weeks have brought an extra infusion of podcast-y goodness to my life.

First I met Alex Laughlin, host of The Ladycast, during a journalism training. A few days later I interviewed Caroline Ervin and Cristen Conger, hosts of Stuff Mom Never Told You, for a freelance article.

And finally, I am featured in a new episode of a podcast all about diversity in children’s books, The Cut with Pam Margolis. I met Pam, a librarian and book reviewer, at KidLitCon last fall, when she was still conceptualizing her show. It launched this month, and I can’t wait for more episodes.

For the episode that I’m on, I talked with Pam about the dearth of picture books featuring Muslims, getting beyond sexuality as the main conflict in books featuring LGBTQ characters, and whether to label diverse books as such.

I also shared some of my favorite diverse children’s books. Those titles are below, along with my GoodReads ratings and comments on them.

Listen, SlowlyListen, Slowly by Thanhha Lai

My rating: 4 of 5 stars

totally enchanting

Continue reading

In Carole Boston Weatherford’s latest picture book, she shows slaves’ joy and hope without ignoring injustice

Freedom in Congo Square1

Here’s an antidote to recent months of outcry over pictures books featuring smiling slaves. In “Freedom in Congo Square,” author Carole Boston Weatherford and illustrator R. Gregory Christie show us the humanity of slaves in the American South without ignoring or accepting the inhumanity of how their white owners treated them.

This nonfiction book – written in verse – takes up the topic of Congo Square, an open field in New Orleans where slaves and free blacks gathered to play music, dance and share news on Sunday afternoons in the 1800s. A Louisiana law at the time set Sunday aside as a day of rest, even for slaves, Weatherford explains in her author’s note. By spotlighting this little-known piece of history, she and Christie present a picture of the joy and hope people can find amidst harrowing circumstances.

That’s something Emily Jenkins and Sophie Blackall said they were trying to do in “A Fine Dessert,” which drew controversy last fall. In one part of the book, an enslaved mother and daughter hide in a closet to lick the bowl after serving blackberry fool to their masters. The difference between that scene and “Freedom in Congo Square” is that the context and open acknowledgment of injustice is not absent in the latter. Continue reading