Each Wednesday in February, I am highlighting great nonfiction picture books about African-Americans. These posts are my way of marking Black History Month and also part of the Nonfiction Picture Book Challenge organized by Alyson Beecher.
Rhythm Ride: A Road Trip Through the Motown Sound by Andrea Davis Pinkney

My rating: 5 of 5 stars

Publisher’s description: From award-winning author Andrea Davis Pinkney comes the story of the music that defined a generation and a movement that changed the world. Berry Gordy began Motown in 1959 with an $800 loan from his family. He converted the garage of a residential house into a studio and recruited teenagers from the neighborhood-like Smokey Robinson, Mary Wells, Marvin Gaye, Stevie Wonder, and Diana Ross-to sing for his new label. Meanwhile, the country was on the brink of a cultural revolution, and one of the most powerful agents of change in the following decade would be this group of young black performers from urban Detroit.

My thoughts: I love Motown music and relished reading some of the stories behind the voices, instruments and business behind the sound. With great archival photos and much more text than could finished in a read-aloud, “Rhythm Ride” feels somewhere between a book and a documentary. But does that mean it’s dry and boring? Not in the least, because it’s narrated by “the groove,” and she talks as smooth and sweet as she should.
The frequent plays-on-words can be a little much at times but otherwise the conceit works wonderfully. Would we expect anything less from Andrea Davis Pinkney?

Harlem’s Little Blackbird: The Story of Florence Mills by Renée Watson

My rating: 5 of 5 stars

Publisher’s description: From acclaimed author Renee Watson and Caldecott Honor winner Christian Robinson comes the true story of Florence Mills. Born to parents who were former-slaves Florence knew early on that she loved to sing. And that people really responded to her sweet, bird-like voice. Her dancing and singing catapulted her all the way to the stages of 1920s Broadway where she inspired songs and even entire plays! Yet with all this success, she knew firsthand how bigotry shaped her world. And when she was offered the role of a lifetime from Ziegfeld himself, she chose to support all-black musicals instead.

Trombone Shorty by Troy Andrews

Harlem’s Little Blackbird: The Story of Florence Mills by Renée Watson

My rating: 4 of 5 stars

Publisher’s description: Hailing from the Tremé neighborhood in New Orleans, Troy “Trombone Shorty” Andrews got his nickname by wielding a trombone twice as long as he was high. A prodigy, he was leading his own band by age six, and today this Grammy-nominated artist headlines the legendary New Orleans Jazz Fest.
Along with esteemed illustrator Bryan Collier, Andrews has created a lively picture book autobiography about how he followed his dream of becoming a musician, despite the odds, until he reached international stardom.

Mahalia Jackson: Walking with Kings and Queens by Nina Nolan

My rating: 4 of 5 stars

Publisher’s description: Even as a young girl, Mahalia Jackson loved gospel music. Life was difficult for Mahalia growing up, but singing gospel always lifted her spirits and made her feel special. She soon realized that her powerful voice stirred everyone around her, and she wanted to share that with the world. Although she was met with hardships along the way, Mahalia never gave up on her dreams. Mahalia’s extraordinary journey eventually took her to the historic March on Washington, where she sang to thousands and inspired them to find their own voices.

My thoughts: What I love about “Mahalia Jackson: Walking with Kings and Queens” is the voice. It starts from the first two lines:
“People might say little Mahalia Jackson was born with nothing, but she had something all right. A voice that was bigger than she was.”
That conversational tone carries through Mahalia’s youth into her adult singing career:
“Mahalia kept driving on those may-blow tires: tires so bald, they may blow any minute. No money to fix them. Keep singing and driving.”
I can just hear one of Mahalia’s relatives or neighbors from down south telling the story, and it makes me feel like I’m sitting on their front porch listening.

Little Melba and Her Big Trombone by Katheryn Russell-Brown

My rating: 4 of 5 stars

Publisher’s description: Melba Doretta Liston loved the sounds of music from as far back as she could remember. As a child, she daydreamed about beats and lyrics, and hummed along with the music from her family’s Majestic radio. At age seven, Melba fell in love with a big, shiny trombone, and soon taught herself to play the instrument. By the time she was a teenager, Melba’s extraordinary gift for music led her to the world of jazz. She joined a band led by trumpet player Gerald Wilson and toured the country. Overcoming obstacles of race and gender, Melba went on to become a famed trombone player and arranger, spinning rhythms, harmonies, and melodies into gorgeous songs for all the jazz greats of the twentieth century: Randy Weston, Duke Ellington, Count Basie, Billie Holiday, and Quincy Jones, to name just a few.

My thoughts: The artwork really drew me into Melba’s story. There’s something about the curving, bending stances of the people Morrison paints that so exquisitely matches the smooth notes of jazz, and I love it. The figures also mirror the shape of Melba’s trombone.

Benny Goodman & Teddy Wilson: Taking the Stage as the First Black-And-White Jazz Band in History by Lesa Cline-Ransome

My rating: 3 of 5 stars

Publisher’s description: A stunning picture book celebrates the first widely seen integrated jazz performance: the debut of the Benny Goodman quartet with Teddy Wilson in 1936 Chicago.

My thoughts: In a unique approach to a picture book, this dual biography tells the parallel stories of Benny and Teddy developing their love and talents for music as children. As adults they meet and form an interracial swing band that draws fans through recordings but doesn’t perform live — until one day in Chicago in 1936.

Detailed back matter acknowledges that Benny Goodman had to be coaxed to perform onstage in an interracial trio because of fear for the impact on his individual career. Good fodder for a classroom or parent-child discussion of values and choices.